Thursday, 5 December 2019

SUMERIAN CUNEIFORM - WEDGE DEFINITION CHART


THE CORRECT "13 MONTH CALENDAR" AND "6 HOUR CLOCK" BY SAMUEL KORN

Edit note: I realise the clock diagram is out of alignment to the sections of the day. I'll look at this at a later date. There may/might have been a reason I did this, though I'm struggling to remember. Sam Korn

364.25 DAYS IN A YEAR

364 REGULAR DAYS

PLUS A FINAL 365
th DAY EACH YEAR, WHICH ALSO REPRESENTS THE FIRST DAY OF THE FOLLOWING YEAR.

MEANING THAT THIS ONE OVERLAPPING DAY, ACTUALLY ONLY REPRESENTS 1/4 OF A DAY.

364 DAYS ARE DIVIDED INTO
13 EQUAL MONTHS IN THE YEAR
28 EQUAL DAYS IN EACH MONTH

THE 1 EXTRA DAY IS KNOWN AS 'SABBAS' DAY. OTHERWISE KNOWN AS 'THE SABBATH'.

IT TRANSLATES TO “THE END IS ALSO THE BEGINNING”.

THERE SHOULD ONLY BE SIX 'HOURS' IN A DAY.

EACH OF WHICH HAS 24 EQUAL PARTS. EACH 10 MINUTES LONG.

4 'QUARTERS' TO THE HOUR, EACH EQUAL TO 60 MINUTES.

THE CLOCK BELOW SHOWS THE 4-QUARTER INDICATOR FOR 'HOURS'.

IT ALSO SHOWS 6 'HOUR' INCREMENT REPETITIONS OF THE 4-QUARTER HOUR INDICATOR.

EQUAL TO OUR CURRENT "24 HOURS".

THIS YEAR HAS A PERFECTLY BALANCED NUMBER OF DAYS IN EACH MONTH.

WITH NO MESSY 'LEAP YEAR' NEEDING TO BE FACTORED IN TO BALANCE, EVERY YEAR IS EQUAL TO THE REST.




WHEN CORRECTLY TRANSLATED AND UNDERSTOOD, THE CHURCHES KEY HOLIDAYS ACTUALLY REPRESENT THE 6 HOUR DIVISIONS OF EACH DAY.

EASTERS "RISING OF THE SUN" HAS BEEN LITERALLY PERSONIFIED FROM ITS TRUE MEANING.

THE WORD "NOON" IS A PERFECTLY BALANCED BACKWARDS/FORWARDS SYMBOLIC REPRESENTATION OF THE SUNS FOUR HOUR TRANSIT FROM 10:00 THROUGH MIDDAY, TO 14:00.

THE WORD "ADVENT" LITERALLY MEANS "THE SUNS APPROACH". THE 'IMPORTANT ARRIVAL' THAT IT IS SUPPOSED TO REPRESENT, BEING THE SUNS ARRIVAL TO SET.

THE WORD "LENT" LITERALLY MEANS "THE EXTENT OF THE DAY" AND REFERS TO THE CONCLUSION OF DAYLIGHT, TRANSITIONING TO NIGHT.

"PENTECOST" LITERALLY MEANS, "THE FIFTH PART OF THE DAY". REFERRING TO IT BEING THE FIFTH 'HOUR'

Note: I made a mistake in the diagram, but you get the idea

"CHRISTMAS" TRANSLATES TO "THE ORBIT BEGINS ANEW". THIS IS WHY IT IS SAID TO REPRESENT "THE BIRTH OF THE SUN". BECAUSE IT LITERALLY DOES.  THE THREE MAGI ARE THE STARS OF THE ORION NEBULA, THROUGH TO ORIONS BELT, AND FORWARD. THE MORNING STAR, IS SUNRISE.

WE VERY LITERALLY EXPERIENCE CHRISTMAS EVERY SINGLE DAY

UGARITIC CUNEIFORM ALPHABET - TRANSLITERATED


SEATING OF THE SUMERIAN ANUNNAKI

ACCEPTED TRANSLATION
Next to Anu he seated Enlil, Nintu he seated at the big side, The Anunnaki seated themselves one after the other. Enlil says to the Anunnaki: " Ye great gods who are standing about, My brother has built a house, the king Enki; Eridu, like a mountain, he has raised up from the earth, In a good place he has built it. Eridu, the clean place, where none may enter, The house built of silver, adorned with lapis laz uli.

MY CORRECTED TRANSLATION
Prose to manifestation is seated, the 'focus of self'. With the 'world' set upon the opening expanse of its larger, externalised side. Intelligent life is formed from this seating of reflection. A relative awareness of self, which becomes intelligent life. Within the complex manifestation of animate life, comes recognition of self in form and likeness, from which we get consciousness. The physical body of each consciousness, then gives it the ability to actively seek 'fulfillment of need' from the Earth, so it is able to provide for, and sustain its 'self'. The physical body is a temple, formed for the mind of its own self, and no other. Each physical body within which a mind finds thought, is as rare and as precious, as the conscious minds and individuals which they adorn.

SUMERIAN - TENSES


NUMBER - NUMEROLOGY


ALPHANUMERIC SYMBOLOGY - ENGLISH ALPHABET AND NUMBER MEANINGS - 2ND REVISION

ENGLISH ALPHABET SYMBOLOGY AND MEANING - 2ND REVISION

A  –  Balance - Two As One
a   –  Result – Two From One

B  –   Direction And Arc
b  –   Course And Bearing

C  -   Port
c   –  Provide

D  –  Probable
d   –  Possible

E  –  Square
e   –  Form

F  –  Excite
f   –  Exceed

G –   Day / Positive / Light / Seen
g  –   Night / Negative / Dark / Unseen

H –   Restore
h  –   Replace

I  –   Conception
i   –   Perception

J  -   Counterbalance
j   -   Counterpart

K  –   Evolve
k   –  Conform

L   –  Stable
l    –   Hold

M  -   Partner
m  -   Combine

N  -   Through
n   -   Over

O  –   Above / Major / Large
o   –   Below / Minor / Small

P   -   Cause
p   -   Effect

Q  -   Natural
q   -   Synthetic

R  -   Drive
r   -   Promote

S   –  Correlate
s   –   Sync

T  –   Life
t   –   Art

U   -  Discern
u   –  Measure

V   -  Expand
v   -   Open

W -   Append
w  -   Compend
 
X  -   Across
x   -   Cross

Y  -   Recess
y   -   Receed

Z  -   Express
z   -   Expunge


1    -    Nominal (State Or Form)
2    -    Specific (Angle/Length)
3    -    Intersect (Relation Or Connection)
4    -    Opponent (The Between Of Opposition)
5    -    Exponent (The Surrounding Expanse)
6    -    Commit (Input)
7    -    Transmit (Throughput - TO)
8    -    Permit (Throughput - FROM)
9    -    Emit (Output)
10 -    Integer (Representing 1, 10 and 0)


OGHAM ALPHABET - TRANSLITERATED

Beith means "Base/Precede", Luis means "Layer/Exceed", Fearn means "Port/Gate (Ion)", Sail means "Distort/Flux", Nion means "Emenate/Procede".

Muin means "Carry", Gort means "Contain", nGéadal means "Conduit", Straif means "Conduct", Ruis means "Express".

Uath means "Base/Bone", Dair means "Layer/Body", Tinne means "Port/Blood (Iron)", Coll means "Distort/Flesh", Ceirt means "Emanate/Hair".

Ailm means "Motion", Onn means "Time", Úr means "Matter", Eadhadh means "Energy (Radiated)", Iodhadh means "Energy (Contained)".

Forfeda - Direction
Éabhadh means "External", Ór means "Internal, Uilleann means "Surge", Ifín means "Cross (Pass)", Eamhancholl means "Filter".

SUMERIAN - HEBREW TRANSLITERATED

There are recursive defining aspects such as "UR" which can be correlated to other (corrected) alphabets such as OGHAM, to support my definitions.

The defining aspects allocated within the character set of any given alphabet should be similar, if not the same, to the categories and designations I have detailed within my charts.

This should allow us to correct the meaning within most written languages, and with it correct our understanding of its written texts.


9-11: NITROGEN - CARBON / OXYGEN / HYDROGEN - THE OM SYMBOL

9-11: NITROGEN - CARBON / OXYGEN / HYDROGEN -

9-11: THE OM SYMBOL

LINK TO FULL-SIZE RAW IMAGE:
RAW IMAGE

CUNEIFORM TRANSLATION - WEDGE SEQUENCING AND BASE FORMATIONS


CUNEIFORM TRANSLATION - WORD SEQUENCING AND BASE FORMATIONS


PRINCESS AND THE DRAGON

In long forgotten days of old,
There was a city of renown. Bathed in Gold.
Above all the others, it stood alone.
A city which shined, in days of stone.
Of a peace and beauty, none would conquer or fight.
Where love and happiness were the rule of life.
Its strength was that of Dragons,
Mighty, old and wise.
And from these beasts who loved them,
Came the bounty of their lives.
As the dragons hearts was pure,
They were beloved to the throne.
And to no others did they grace their love,
No other lands, did they call home.
Their came a Princess named Elmira,
Who radiated light.
Innocent and sweet,
Who'd barely known a pain in her whole life.
Born of a royal line, charged to protect,
The Dragons and their blood.
So it is only known,
By those who have a heart that's pure with love.

Once whilst riding, from her Dragon she fell,
Over the forests to the West.
Which grew too thick for her Dragon to land
To rescue or protect.

Three days and nights she suffered alone
In the woods where she was tossed.
Laying starving and wounded in the darkness
Till she feared that she were lost.

When upon angelic beauty of the Princess fallen,
Came a woodsman and his sons.
Who saw the Princess as a wounded prize,
That had easily been won.

For as long as Men and Dragons have roamed the land,
Legend had spoken of the Dragons heart.
And of the powers, a taste of its blood,
Is fabled to impart.

Seizing opportunity that they may know,
They played upon her state.
“We shall see you safe, but in return,
You must give each of us a taste!”

For the Princess had been broken,
Her innocence was lost.
And she made a deal with wicked men,
Unaware of its true cost.

Once delivered from the forest,
She took a blade, and cut her hand.
And gave the blood, that she had promised
To all three of the men.

And as each one drew her blood, to taste,
She stated something clear:
“Things as pure as this should not be tasted,
By a heart that's full of fear.”

Each in turn, the men drank of her blood,
And in them it took its seed.
And from each of them rose,
The nastiest of Dragons, the world had ever seen.

Once she was left alone, and they flew away,
She started the long walk home.
Across many strange lands, she travelled,
Until she came, to places that were known.

And when the Princess came upon her lands
She found its skies corrupt.
Where noble Dragons light once soared
Now was nothing up above.

What not long ago had been her home
Now lay ruined, on the ground.
What once was mighty, no more than dust.
And no-one to be found.

No farmers were there in the fields,
Their crops had been destroyed.
No shops still standing which could be kept
And none they once employed.

And as she gazed into the sky,
She saw what had wrought them so such pain.
Three black dragons, perched upon crest of mount,
Casting down their flame.

On a road to nowhere, she wept in regret.
And there she sat for many days.
Her tears unnoticed by all of those,
Who passed her by that way.

They had no eyes to see her tears,
Until no more had she to weep.
Then weakly had she pleaded, after tears were gone,
Until she lost her will to speak.

Till there came upon her, a man of the North,
Simple and humbly dressed.
Though he seemed to her a little strange,
He wasn't like the rest.

He knelt before her and tore from his sleeve,
Wet it, then wiped her face.
Then placing a flask up to her lips,
He made her have a taste.

Looking up at him through broken eyes, she asked;
“Why have you given this to me?”
He said, “You say that like there need be reason?”
“Such care should be given free!”

“M'Lady, I am one of those who is sad to see”
“How we treat our fellow man.”
“And that those who passed you, could not stop”
“to lend to you their hand.”

“This world wasn't made for just them, you or me.
But for the many, by our many hands.”
“If you see someone needing, you should try to give.
And always seek to 'understand'.”

“And though sometimes it may seem harder,
To love than it is to hate.”
“Our goodness is judged by that which we give,
And not that which we take.”

“Now I've known love for some time now M'lady,
And if there is one thing I have learned:
It's that even the bitterest of tears, with time will dry,
Though the pain inside still hurts you.”

“And that even if you've pleaded so long and hard,
That you've lost the will to try …
If a true heart listens carefully enough,
Then they're certain to hear you cry.”

She regarded him through faded eyes
And found hope in a true heart.
Though his face was tired, and his skin was scarred
No gentler man could pass.

Then to the man, the Princess asked
“Why have you come to me today?”
The man answered her by pointing West,
“To see the fabled Dragons slay.”

She regarded a dagger on his belt,
Crafted from cheapest tin.
But saw no weapons for slaying Dragons
Carried here with him.

Sensing her thoughts he said; “M'Lady,
Though my dagger may not seem much,
Its bested all manner of the finest steel,
So in it too, can you place your trust.”

“And who is it that you're fighting for?”, she asked,
“I see no crest or creed.”
“Fight for heart, do I, M'Lady,
For mine, and any knowing need.”

“As I am one who's known dark-times,
When none stood to fight for me.”
“And felt those pains which die inside you,
When none have eyes to see.”

“So for seven years did I train in battle”
“To defend of me and mine.”
“And fight for those who would need the things
I learned within that time”

The Princess looked intently upon his face,
Lest recognition she failed to find.
“I've lived in these land my entire life,
And I don't recall you in that time?”

To this he answered “These lands are foreign to me,
My home is nowhere near.”
“I've come across the Northern sea,
Great distance to be here.”

“For of Seven years as blade was taught,
Did I also learn ways of love.”
“Though we may be of different lands and trials,
We all share the sun above.”

“And though I may fall here today, not a man of your land,
My blood shall bleed no less red.”
“No injustices should ever be turned from our eyes,
Lest inside this, we find them fed.”

Though she had no more tears to cry of pain,
Her eyes welled with tears of joy.
Welling from a spring of waters, deep within her,
That no manner of hate, could ever destroy.

For like the noble man before her had said,
'No such light can ever be covered by dark.
For even in the darkest of our nights, can we see,
With but a tiny flame to light our path.'

So again did she take a blade to her hand,
To again see it bleed for man.
“Then drink of this my fearless Knight,
And see none ever have you beat again.”

Trusting her words, he did drink of her blood,
And his blade was turned to grand.
And from him sprang the greatest of Kings
That had ever graced the lands.

His armour shone with a brilliance,
That neither claw, nor flame, could dent.
And his scars became a strength for which,
The mountains themselves would bend.

For as the men of the woods, had drank,
And by blackest beasts, were they consumed.
The man of heart had so become,
One to whom, no such beasts shall be immune.

CORRECT ORDER FOR THE BOOKS OF THE BIBLE


Genesis
Exodus
Leviticus
Numbers
Deuteronomy
Joshua
Judges
1 Samuel
2 Samuel
Ruth
Hosea
Zephaniah

Jonah
Joel
Amos
Nahum

Haggai
Micah
Zechariah

Obadiah
Malachi
Habakkuk

Jeremiah

Daniel
1 Kings

2 Kings
1 Chronicles
2 Chronicles
Ecclesiastes
Nehemiah
Isaiah
Proverbs
Psalm
Job
Esther
Ezra
Ezekiel
Lamentations
Song Of:

Mark
Matthew
John
Luke
Acts

Romans
1 Corinthians
2 Corinthians
Galatians
Ephesians
Philippians
Colossians
1 Thessalonians
2 Thessalonians
1 Timothy
2 Timothy
Titus
Philemon
Hebrews
1 Peter

James
1 John
2 John

Jude
3 John

2 Peter
Reveal
Destinations
Equilibrium
**Omitted**

EGYPTIAN OGDOAD - SUPPLY AND DEMAND - OLD TESTAMENT

Nu - NEED
W24 W24 W24
N1
N35A A40
Nut - WANT
W24 W24 W24
N1
N35A X1
H8
B1
Ḥeḥu - SUPPLY
V28 V28 G43 A40
Ḥeḥut - DEMAND
V28 V28 G43 X1
H8
B1
Kekui -VALUE
V31
V31
y G43 N2 A40
Kekuit - INVESTMENT
V31
V31
y G43 N2 X1
H8
B1
Qerḥ - COST
W11
r
V28 D41 A40
Qerḥet - EXPENSE
W11
r
V28 D41
X1 H8
B1