8 NUMBER COUNTING SYSTEM - RELATING ALPHABET/NUMBER SYMBOLS

4         c          0         C         0
7         d         6         D         6
6         e          3         E         9
3         f           7         F         7
5         g          5         G         5
0         a          4         A         4
9         b         9         B         3

8         c          8         C         8

7

0

6

8

9

 

1.          ONE                           FUNCTION

2.          TWO                          FORCE

3.          THREE                      PROCESS

4.          FOUR                        STATE

5.          FIVE                          FORM

6.          SIX                             COMPOSITION

7.          SEVEN                      USE

8.          EIGHT                       PURPOSE

9.          NINE                         FUNCTION

10.         TEN                           EFFECT

11.         ELEVEN                   REACTION

12.         TWELVE             RESULT

THE OM: 8 (9, 10, 11) 12

The Om: 8 (9, 10, 11) 12

The rotation of the Earth relative to the suns thermal influence, the central pull of its gravity, the northern and southern vortex, promote equilibration within the sphere, where the environment literally “pushes” a equalisation upon its own resistance. Allowing it to sustain a perfect balance of all its influences and variable factors.

Distortions are caused within the equilibria by shifting variables such as the heat of the suns thermal influence relative to the cold of night on the opposing side of the torus.

This causes small N-shaped torsion displacements in the equalised atmosphere. Similar to ripples that would appear in the pages of a book if you were to push the middle of the page upward against its binding. With that page you would feel pressure on the bottom pulling hard against the binding, which in-turn gives you a pocket of slack on the opposing top side of the page.

This is the perfect example for the relationship between things such as:

Light and Sound.
Magnetism and Gravity.
Growth and Aging.

The exceeding and its partnership with a perfectly balanced ‘anchoring’ receding. Which is not only the balance of itself, but is also the cause and effect of both itself, and it’s opposing balance.

The position of our bodies and ‘self’ relative to the forward propensities of our world cause outward expansions of “Growth” within the environment. Counter to this, our position relative to the self-opposing and balancing equilibria pulling back on these forward propensities, cause inward expansions which translate to a condensed increase in cellular complexity. The complexity of the sub-cellular structure increases to its maximum potential, essentially ‘filling’ the cellular construct from the inside out. This process eventually becomes perceivable as changes to the body and its appearance which we refer to as “Aging”.

When opposing torsion displacements ‘Ni’ and ‘Ne’ combine it causes a reaction named “Nine” which is also symbolised by the number 9.

The combination of the two opposing parts equalise in a microcosmic comparative of the larger parent equilibrium to form “Om”, symbolised by the number 10.

The reaction and combination process of Om also creates and releases a relative ‘N’ offset. This is opposite and comparable to the displacement ‘pull’ caused by the Om from the parent equilibria.

If you were to use Nitrogen Isotopes to give example; if the Om was created by two 14N coming together, then it would also eject a 15N. This promotes excitation and continued, subsequent secondary reaction processes.

The 0 in 10 represents the balanced ‘Om’ reaction, whilst the 1 represents the unbalanced reaction, which is symbolised as being ejected from the number 9.

The ejected ‘unbalanced’ reactions then seek out their countenance and balance within their own Om reaction, which once again produces a secondary ejected reaction.

If you were to use Nitrogen Isotopes to give example; if the Om was created by balancing two opposing ‘unbalances’, such as 12N and 16N, their reaction would eject a ‘rebalanced’ 14N.

This reaction is symbolised by the number 11.

9, 10, 11.

Om which is created by the combination of two equal and ‘balanced’ N (such as the combination of two 14N using Nitrogen Isotopes as example) spin ‘counter’ to its macrocosm equilibria at 6 times the relative speed, which gives it the appearance of having 1 whole ‘forward’ spin. Whilst remaining relatively stationary compared to the parent equilibria.

Om which are created by the combination of two countering ‘unbalanced’ N (such as the combination of 12N and 16N using Nitrogen Isotopes as example) spin at a relatively similar rate to Om created from a balanced pair, except that they do not sit relatively stationary compared to the parent equilibria. They move with it at a offset which echoes the offset of their pairings initial imbalance.

The ejected secondary reactions work in the same way. With the balanced ejecta remaining relatively still, whilst the imbalanced ejecta moves forward relative to the parent equilibria.

The result is a reaction field which is both pushing and ‘surging’ forward against the parent equilibria, and resisting and ‘dragging’ against it.

The balanced Om which are resisting or dragging against the parent then rebalance themselves within ‘the stream’ of the parent equilibria when a contrary piece of N ejecta attaches itself parasitically to the Om.

Oms are essentially a torus, with phase conjunction vortices running through the middle which allows the filling, emptying, equalisation, contraction and expansion of the sphere.

A ‘N’ distortion forms to one of the ‘pole’ vorticies of the Om, increasing or decreasing it’s momentum potential within the ‘stream’ of the parent equilibria. When it attaches, the imbalance caused the balanced sphere of the Om to redistribute its equilibria to account for the imbalance.

The polar imbalance creates a pentagon shaped ‘ring’ around the centre of the Om sphere between the poles.

5 focus points which are slightly off-set to each side of centre in a zig-zag pattern. The first and last of these 5 points sit next to each other on the same (upper) side of this zig-zag from the centre.

These two point are then balanced by a 6^th point on the bottom underside of the Oms parasitic attachment.

As the Om torus and it’s attachment have a forward pull relative to the parent equilibria, we do not perceive the full dimensions of this form, which we refer to as CARBON.

When two of these carbon which are spinning (surging) in opposite directions within the parent equilibria converge, the centrifugal force of their counter-resistance to the others contrary spin forms a bond between the pairs upper vortices. The focus point on the bottom of each N ‘attachment to the Om are pulled inwards towards the centre of the convergence. The pentagon ring of 5 points around the centre of the Oms sphere is then pulled down to close in around the bottom ‘pole’ which has been pulled up inside the sphere.

The result is that these 5 points become the new ‘poles’ on each side of the Oms sphere while all the former ‘poles’ are pulled in to the spheres centre and distributed outwards to fill the Om.

The compression and centrifugal forces continue to push the Om inwards on itself, filling itself, until it reaches equilibration.

The result is Hydra.

Or what we refer to as water.

The combination of the “Carbon” attachment Oms to create water, also creates a relative electrical concentration and discharge equal to the amount of water created. Which arcs outwards evenly in all directions from the sphere of the created water.

Electrical discharge from the creation of water, such as what is seen in rain and lightning. Hydros.

Daiquiris by Samuel Gregory Korn

Bradie Mercer

Daiquiris are a cocktails with taste divided between sweet and sour

Fresh Fruit (Such as lemon and orange)
Blue Curacao

Ice
Vodka (or Coconut Rum)
Vok Triple Sec

1)
Blend the fruit add the Blue Curacao and blend for a very short burst just to mix it

*Note: Do not use syrups as they contain additives to make them "syrupy". Crush ingredients "mortar and pestle" with honey if you wish to make/use syrups. Brown sugar can be used if there is no honey, but no sucrose or starchy sugars

2)
Blend the ice separately, pouring the vodka and triple sec together as it's being blended if possible

*Note: Liqueurs such as Bue Curacao are specifically designed to emulsify alcohol and fruit juices

They are not so much ingredients as they are bonding agent between alcohol and ingredient

Triple sec is used to stack emulsification. Meaning making a drink viable when it contains both sweet and sour acidic ingredients. Such as lemon and orange*

3)
Once the ice and alcohol is blended, dry blend the alcohol and ice mixture into the fruit and Curacao

*Note: Dry blend means swirling one-half of the contents as best you can around the bottom of one shaker (hand-blender) like you would if you were swirling wine around in a cup, a little faster than 1 rotation per second (3 rotations every 2 seconds) swirling "underhanded" not "overhanded" like with wine, usually opposite direction to what you would swirl wine, then evenly and consistently pouring the other shaker into the centre of swirl. Stop immediately once it's poured and do not shake, blend, mix, or anything, any more after it's poured. The benefit of the dry mix is in natural mix patterns and colouring which you don't want to stir up

4)
Hold the Daiquiri/Martini glass square. So it's in a 45 degree angle. A proper Daiquiri/Martini should sit 90 degrees, one side facing straight at the ceiling, the other facing the pouring hand

5)
Tip the drink into the glass so it's "tail" hits the bottom point of the glass. The idea is that you then try "pull" the shaker clear of the drink rather than "pour" the drink out

You want to try swirl it neatly into the glass almost as if you were swirling soft-serve ice-cream into a ice-cream cone. Giving it a nice peaked "head" just like a ice-cream would have

6)
Take notice of the colouring and patterns within the mixing of the drink

A proper Daiquiri needs sweet/sour emulsified which means it usually requires either matching combination of liqueurs to fruit or simply Blue Curacao and Triple Sec

Liqueurs are meant to be used for emulsion with their matching flavours/fruits. Not generally as a primary ingredient

Triple Sec should almost always be used in conjunction with two other alcohols as emulsion stack. It's meant to be able to mix things such as orange and lemon with base alcohols like vodka or Coconut Rum

:-)

Bet you can't find a single "Mixologist" who can tell you what liqueurs or triple sec are actually meant for

Hint: Take a spoon full of honey, push a piece of skinless lime into the honey on the spoon, stir the spoon into any type of clear spirit like vodka, then taste it

Now do the same thing except pour a tiny dash of triple sec over the spoon before stirring it into the clear spirit

Taste/see the difference

Samuel Gregory Korn
11th Of December 1979
0455155980

OM (AUM)

OM is composition

Ganesh is connection of the named

Namaste - Input
Ganesh - Nominum
Aum - Outcome

3 parts to OM

Ganesh is

Input vs Return
Output vs Consumption

It is the consumer named in need balanced to fulfillment

Effort to Reward
Want to Sate

More than that though

It embodies the necessity of animate life for the fulfillment of need to self

It is the self that is both aware to fulfill need, and self-aware to know what it need fulfill

The statement(or question):

"Do you know - Janes - middle name(?)"

Is

UM - AM - OM(?)

Compare
Combine
Compose

Connecting - Namaste
Connected - Nominated
Connection  - Nominum

The Egyptians have a version of this as well which is done from the view of

SUPPLY/DEMAND
SUPPLIER/CONSUMER

Sam Korn

4G LTE 700Hz - BEES, WHALES AND S.I.D.S

Where are all the Bees?
Why all the Beachings?

If you put a mobile phone, cordless phone or other "wireless" device on top of a hive of Bees, most don't find their way home. Some die

I think you'll find Bees disappearing correlates with cell-towers being built

I think you'll find Beachings correlate with cell-towers directing (or increasing/altering/amplifying) ocean signal

I think you'll also find that S.I.D.S correlates with wireless baby monitors

700Hz == BIO
Human == Antenna
Mobile == Neurotic

55W 19V 2.89A
49W 17V 2.88A

63W 19V 3.22A
63W 22V 2.86A

2W 1V 0.34A
6W 2V 0.16A

3.33A -0.11A

700Hz - 2.89 - 3.33
0.44A

54W 9V 6A
54W 12V 4.5A
44W 12V 3.67A
3.33A - 3.67A
.34A

43W 10V 4.3A
44W 13.3V 3.31A
2W 3.3V 1.01A

2W 3.3V 0.61A
1.22A 1.01A
0.21A -

1W 1V 1A
2W 2V 1A
3W 3V 1A
700Hz

Human Body
60Hz 0.2V
11.666666666666666666666666666667 == 1.2 == 0.2
-----
700Hz --- 3 --- 0.6V
-----
11.666666666666666666666666666667 --- 3 --- 3.888888888888888888888888888889
---
Human Body Earthed
60Hz 6V

52W 18V 2.89A
60W 18V 3.33A
8W 0.44A
8W 6V 1.33A

8w 12v 0.67A
1.34A

700Hz == BIO
Human == Antenna
Mobile == Neurotic

My Contact Details

B, my contact details are

Samuel Korn
0455 155 980

Sam

Leonard Da Vinci - Foruna Mortes Invidia Ingratitudine Ignoranza Superbia

- Fortuna Mortes Invidia Ingratitudine Ignoranza Superbia -

- Leonardo Da Vinci -


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- In every win, is something lost
And
In every loss, is the knowing of need

Ignorance is bliss
For the upper hand -

- Samuel Gregory Korn -

* In everything gained, is something that's been lost
* In every winner, is another knowing loss


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- The only certainty is death
Anything else is open to interpretation

Personal belief, is not the same as knowing -

- Samuel Gregory Korn -